Placed in Australia's most considered architecture
Claywise is specified by architects and designers who understand the power of a quiet backdrop. Clay never announces itself — its presence is felt. Carried across the walls and ceilings of an entire home, it becomes the thread that draws every material, every room, into harmony.
Abbotsford Residence
A residence by Anna Carin Design, its walls finished in Lithos Terra in Bone — the natural, unpigmented tone of the clay itself. Against the stone of the stair, the plaster reads as one continuous, seamless plane — grounding the sculptural forms in soft earthen light, its calm carried by the subtle tonal and textural variation only clay leaves behind. A quiet that doesn't date.
Penthouse Workspace
A penthouse workspace by Alexander & Co, with Lithos Terra in Bone carried across every wall, ceiling and column. This is clay doing what it does best — not a feature, but the whole envelope: one continuous surface that lets the walnut joinery, leather and coastal light do their work, holding an elevated design in quiet, harmonious balance.
Bellevue Hill House
A Bellevue Hill residence by Greg Natale, finished throughout in Lithos Lumen. Every internal junction is curved — there is not a corner in the house — and the plaster was considered for exactly this: a silk-smooth surface that flows without interruption, wall becoming ceiling becoming stair in one continuous, airy gesture. Where the architecture refuses edges, only a seamless material could follow.
Queen Victoria Building
A luxury retail fitout by Greg Natale within Sydney's Queen Victoria Building. Lithos Lumen in Aroha Bone moves across walls and ceilings, softening the light around the heritage arches and stained glass — a quiet, continuous surface that creates space rather than filling it. In a landmark where every detail is scrutinised, the plaster does its quiet work: holding softness, letting the architecture breathe.
JLL Headquarters
At JLL's Sydney headquarters on Circular Quay, Lithos Earth Plaster was layered by hand in earthen tones — ochre, rose and sand — to carry the strata of rammed earth. The monumental aesthetic of compacted ground, delivered at just 8–10 millimetres: no structural walls, no mass, only the earth distilled to a surface. Proof that the grade's raw presence can hold its own on a corporate floor as naturally as in a home.
PE Nation
For PE Nation's flagship at The Galleries, Akin Atelier imagined a store carved from the earth — and Lithos Earth Plaster delivered it, wrapping walls, portals and plinths in a banded rammed-earth finish. Against the label's signature orange, the clay reads elemental and warm: a retail space that feels excavated rather than built.
Annandale Residence
At Annandale, House of O’Connell pairs restraint with richness — and Lithos Lumen in Atla Mist carries the balance across every wall and ceiling. The finish holds a velvet, silk-like depth, its luminous lustre catching daylight from the garden and moving it softly through the house. Minimalist architecture, dressed in a surface that changes with the weather outside.